The Other 60 Percent

Boosting movement in the classroom

Chris Strater may look like she’s just hopping around the room, patting various body parts and striking different poses while singing a song about somebody named Tony Chestnut and the people he knows:

PE teacher Chris Strater, right, coaches some Aurora elementary teachers on ways to get more physical movement into their classrooms.

Eileen, Neil, Pat, Bob, Russell and Skip.

And she and the Aurora teachers prancing around with her are, in fact, getting a good workout. Their blood is pumping, their arms and legs are moving, and they’re clearing their heads to better concentrate on the academic stuff they’ve been absorbing all morning.

But Strater, a physical education teacher at Clyde Miller P-8 in Aurora, insists the exercise isn’t just about physical activity. It’s also about homophones – words that are pronounced alike, but have different meanings.

So having youngsters act out a song about Tony Chestnut (toe, knee, chest, nut) who knows (nose) Eileen (lean to the left) and Neil (kneel) and Pat (pat your shoulder) and Bob (nod your head up and down) and Russell (wiggle your legs) and Skip (skip) teaches language arts while it gets them moving.

“This is my passion,” said Strater, who has a master’s degree in psychology and counseling. “We’ve got to get more movement into the classroom. It’s how kids learn.”

The 25 teachers spent all day with Strater learning various strategies to not only build movement into classroom activities, but to make that movement tie in to the students’ academic objectives. They, in turn, will go back to their respective schools and share what they’ve learned with their colleagues.

3R Project: Relevancy, Rigor, Relationship

The process – known as “Project 3R” for Relevancy, Rigor and Relationship of Physical Activity – is being funded through a $20,000 two-year grant to Aurora Public Schools from the Colorado Legacy Foundation, a private organization dedicated to helping schools put health and wellness programs into place.

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Spearheading the project is Connie Fenton, Healthy Schools Coordinator for the district, who wrote the grant and recruited the first group of teachers. She confesses that someone else came up with the catchy title – 3R – and that “rigor” may not always be topmost in everyone’s mind. But the other other two Rs – “relevancy” and “relationship” – are totally what this is about.

“We have a huge need to do more ‘brain-gym’ type things,” she said. “This is what makes children learn…

“The original vision was that we would have all the elementary schools in Aurora represented here. That didn’t quite happen,” Fenton said. “But we just got the grant on July 30, so we’ve really been moving. The grant covered the substitute-pay for all these teachers to be out of their classrooms today, and they’ll go back and do more mini-trainings with the other teachers at their schools.”

School district has long list of initiatives

The Aurora school district has been in the forefront among Colorado schools in its efforts to expand health and wellness opportunities for its students and its staff. Among its initiatives in the past couple of years:

  • Opening health clinics at Crawford and Laredo elementary schools, both located in high-poverty neighborhoods.
  • Creating coordinated school health teams
  • Launching the Go, Slow, Whoa! program to encourage students to choose foods more wisely
  • Sponsoring culinary boot camps for school food service workers
  • Adding “Breakfast in the Classroom” programs and bringing salad bars into school lunchrooms
  • Expanding and improving school playgrounds
  • Assessing and tracking third- through twelfth-grade students’ fitness levels with the Fitnessgram program

But the district has also faced a number of challenges, not least of which is the limited number of hours in the school day and the need to boost academic seat-time. Just this year, the district became the first in Colorado to eliminate all physical education high school graduation requirements.

Add to that the new state requirements mandating that all Colorado elementary students get a minimum of 150 minutes of physical activity time each week, and schools are left to find creative ways to add activity time to the already-crowded school day.

“APS elementary schools who participate in Project 3R will add minutes of physical activity to the elementary student’s school day without impacting the current allotment of minutes per class,” Fenton said.

And, she said, all Project 3R activities will be “no-cost extensions of current classroom activities.”

‘We’ve become less child-centered’

Carla Muller, a fifth-grade math and science teacher at Aurora’s Arkansas Elementary, sees the emphasis on physical activity in the classroom as a welcome change. That’s why she opted to take part in the training.

Betsy Aker, left, and Julie Wilson, classroom teachers at Aurora Frontier K-8, get a quick workout blowing feathers to each other.

“I feel we’ve become less and less child-centered,” she said. “Our objective has been to stuff their heads with as much knowledge as possible, but it’s backfired on us. Our kids are losing focus. It just seems like activity is a way to get them to engage more, and that will boost our test scores in the long run.”

Nick Chapla, a physical education teacher at Aurora’s Vassar Elementary, said he’s hoping the classroom teachers at his school will use him as a resource for these types of activities.

“The data on physical activity and movement and how they can be put to work in a classroom are clear,” he said.

Strater has loads of ideas that she would love to see implemented in classrooms. Like blowing feathers, for example.

Strater taught the teachers to form into pairs, then place brightly colored feathers in their palms. They had to blow their feather to their partner, then do a fast physical activity – turning around, clapping hands, touching their elbows – before catching the feather blown toward them.

“What did you hear?” she asked the teachers after the exercise. “I heard lots of laughter. That makes your synapses fire better. And I saw lots of movement.”

She also preaches the value of simple spinning.

“Spinning and swinging your arms is very good. It helps the brain from the inside out,” she said. “Twenty years ago, when kindergarteners came into my class spinning around, I’d tell them ‘Sit still!’ But no more. Now spinning is part of every class I teach. Adults don’t like it much. It makes us sick. But kids love spinning and it’s good for them.”

raising the curtain

Aurora high school students started rehearsing a musical about an earlier time — and discovered ‘harsh truths’ about today

Ebony Nash, left, sings during a rehearsal of Ragtime at Hinkley High School. (Photo by Yesenia Robles, Chalkbeat)

Nine weeks ago, more than 50 theater and choir students at Aurora’s Hinkley High School came together to begin work on a musical set in turn-of-the-20th-century New York.

At first, the kids did what high school students often do — cluster into familiar cliques, or self-segregate by race. Then the students started immersing themselves in the material.

The musical, “Ragtime,” intertwines the stories of a white family, a Jewish immigrant family and an African-American couple to spotlight differences and commonalities in the American experience.

At the urging of their teachers and directors, the Hinkley students began to use the plot and characters to examine their own actions, prejudice and biases. About 92 percent of Hinkley’s more than 2,100 students are students of color, the vast majority of them Latino.

The cliques and segregation slipped away. The production began taking shape.

“Ragtime” gets its Hinkley High School debut on Thursday and will be performed again on Friday and Saturday.

Chalkbeat sat down with a group of students involved in the production as they were in final preparations to learn about what their experience had taught them. The following is a portion of that conversation, slightly condensed and rearranged for clarity:

Janelle Douglas, a 17-year-old senior who portrays a friend of one of the story’s main characters, said the first time she saw and read through Ragtime, “it was intense.” She often cries as she rehearses her solo, sung during a funeral.

DOUGLAS: “I thought, this is powerful. This is overwhelming. This is amazing.”

Pamela Arzate, 17, plays the role of Evelyn Nesbit, a real model and actress who is incorporated into the fictional story and accused of being shallow.

ARZATE: “It’s very eye-opening because you look at it and it’s just a simple musical, but if you take a step back and go to the real world, it’s the exact same thing that’s going on today.”

Hodaly Sotelo, 17, plays the role of Mother, a woman whose attitudes toward her identity as a wife and woman evolve throughout the story.

SOTELO: “It reminds me of when I was younger and I was like, ‘Oh yeah, we’re over all that racism.’ But now, I look back and I think, what the heck? This stuff is still going on and we thought it was way over.”

Brianna Mauricio-Perez, 17, is one of two student directors.

MAURICIO-PEREZ: “It talks about all of the harsh truths that no one wants to talk about.”

DOUGLAS: “I think it’s safe to say it shows the true colors of our history.”

MAURICIO-PEREZ: “Even within our cast we did have to have a talk about how we were so separated because we were at the very beginning. Everyone was in their little groups and with their friends. You just want to keep to yourself.”

DOUGLAS: “It was literally ‘Ragtime.’”

MAURICIO-PEREZ: “We had a big talk with everybody. Things have gotten so much better. By the end of Act Two, we were all mixed up.”

Brenda Castellanos, 17, plays the role of Emma Goldman, drawn from a real-life political activist and anarchist.

CASTELLANOS: “Now that we’re closer, now that we’re all comfortable, we put in more effort.”

After nearly every rehearsal, teachers and directors give students a talk, urging them to immerse themselves in the feelings of their characters, relating to them if necessary through their parents, grandparents or ancestors who were immigrants, or through current events.

“What if you saw someone beaten, and bloodied and killed in front of you?” one director asked.

They also remind students of why the play should be impactful. “You have to figure out how for two-and-a-half hours you can give hope to that audience,” Marie Hayden, Hinkley’s choir director told students last week.

CASTELLANOS: “I think it it helps us. Every day, we get more into it and more into it until we actually believe it. You actually feel it — like how Janelle feels when she’s singing and she starts crying and makes everybody cry. We all feel connected.”

Students say they have different scenes that impact them the most, but they don’t hesitate to find how the scenes relate to their life despite the story being set in the first decade of the 1900s. Hayden’s class and the practice for the musical are safe places where they can discuss those parallels, they said.

Shavaun Mar, 16, is a junior who plays the main character of Coalhouse Walker Jr., a ragtime piano player who is the target of racial attacks and struggles with revenge and forgiveness.

MAR: “I feel like that is crucial that we give people those opportunities to talk because a lot of people have very valid things to say but they just don’t have a way to get it out.”

CASTELLANOS: “The shootings.”

ARZATE: “The racism. They help us discuss it because there’s so many things that are going on. Pretty much everyday there’s a tragedy going on. And so, in a way, we can use that sentiment, that emotion that we feel with the real world and convey it when we’re doing this show. We use those feelings and we try to think about it in that way. To display that emotion. To display it to everyone else. And not directly represent what’s going on today but just to give them that ‘aha’ moment, like ‘wow.’”

Ebony Nash, 17, plays the character of Sarah, an innocent girl who wants to help her boyfriend settle his problems.

NASH: “It just makes us want justice in real life because these things are still going on even though it’s not out there. It just makes us want justice for our community. This musical showed me that I need to become better within myself because I’m not perfect.”

SOTELO: “It opened my eyes a lot more for sure. This kind of just makes me realize the problems I have. It makes me realize yea, I’m having immigration issues with my father right now, but that also my friends, you know, they’re going through the same thing too. This DACA stuff or this coming out stuff. I became more accepting of what other people might be going through and how I can help.”

MAR: “The past few years, I have been in a bit of a shell. So putting myself in this situation and pushing myself to be this other person has really shown me what I’m capable of and it’s helping me break out of that shell and realize who I am as a person.”

NASH: “Basically, this is our getaway from real life because we get to come on stage and be somebody else. It also makes us want to put the story out right so people can understand. So people can feel what we want them to feel.”

CASTELLANOS: “That there’s hope after all this corruption that’s going on.”

DOUGLAS: “That even in your bad times you can still laugh, cry, dance.”

NASH: “What I want people to get from this is change. To learn how to change and learn how to forgive and learn how to come together as a community and just, like their worth.”

SOTELO: “And to be strong. To stand up for what’s right.”

ARZATE: “And it might sound weird, but I feel like they should feel a certain level of uncomfort because that means that they’re going to look at themselves while seeing the musical. Maybe they’ll go ‘I’m uncomfortable because I do that’ or ‘I have that prejudice’ or ‘I feel that certain way,’ so if they come out and they feel uncomfortable and then at the end they’re like, ‘Wow. There’s that hope for change.’ Hopefully that like…”

DOUGLAS: “… It inspires them to do better.”

ARZATE: “Like, you can do it.”

SOTELO: “It’s kind of like a water droplet. One small move can domino-effect to something bigger.”

 



Taking attendance

Want to make middle school admissions more fair? Stop looking at this measure, parents say

PHOTO: Monica Disare
Middle school students write their names down at a high school fair in Brooklyn.

Parents across New York City have pushed for changes in the way selective middle schools pick their students, saying the process is unfair.

Now, a group of Manhattan parents has come up with a novel solution: Stop looking at students’ attendance records.

The parent council in District 2 — where about 70 percent of middle schools admit students based on their academic records — points to research showing that students from low-income families are far more likely to miss school. Those children are at a distinct disadvantage in the competition for the district’s top middle school seats, the council argues, even though factors beyond the control of any fourth-grader — especially family homelessness — often account for poor attendance and tardiness.

“This outsized focus on attendance disproportionately impacts students who don’t have secure housing and may not have secure healthcare, and that is troubling to me,” said Eric Goldberg, a member of the community education council in District 2, which includes stretches of Lower Manhattan and the Upper East Side. “There are many factors that should not impact a student’s educational opportunities — and the way the system is set up, it does.”

Eighteen of the district’s 24 middle schools are “screened,” meaning they rank applicants based on factors including test scores, grades, and interviews. Of those, all but one school also considers how often students were late or absent in fourth grade, according to the parent council.

Most of the schools assign points to each factor they consider. Some give absences 10 times more weight than science or social studies grades, the council found, while others penalize students for even a single absence or instance of tardiness.

Disadvantaged students are especially likely to miss school.

A recent report by the city’s Independent Budget Office found that homeless students are more likely than other students to be chronically absent — typically defined as missing about 10 percent of the school year.

Schools with the highest chronic absenteeism are in communities in “deep poverty,” which have the highest rates of unemployment and family involvement with the child-welfare system, according to a 2014 report by the New School at the Center for New York City Affairs.

“We can use chronic absenteeism as a good guess of all the other things kids are dealing with,” said Nicole Mader, a senior research fellow at the New School and a co-author of the report. “If these middle schools are using absenteeism to weed kids out, that means they’re going to automatically weed out those kids who have the most barriers to academic success already.”

The attendance requirement can put pressure on any family, regardless of their financial status or housing situation.

Banghee Chi, a parent of two children in District 2, said she sometimes sent her younger daughter to school with a fever when she was in fourth grade rather than have her marked absent.

Her daughter would show up to class only to be sent to the school’s health clinic — which would call Chi to pick her up. Chi was thinking ahead to middle school, when a missed day of class could hurt her chances of getting into the most sought-after schools.

“It was something I was really conscious and aware of during my child’s fourth-grade year,” she said. “I think it’s unfair.”

The education council’s resolution, which will be put to vote in December, is nonbinding because middle schools set their own admissions criteria. But a show of support from parents could lead to action from the education department, which has been prodded by integration advocates to make other changes in high school and middle school admissions.

This summer, the department announced it would end the practice of “revealed rankings,” which allowed middle schools to select only those students who listed them first or second on their applications. The city is also appointing a committee of parents, educators, and community leaders in Brooklyn’s District 15 to come up with a proposal for making that district’s middle school applications process more fair.

“We’re collaborating with communities across the city to make school admissions more equitable and inclusive, including in District 2,” said department spokesman Will Mantell in an email. The department looks forward “to further conversations about this resolution and other efforts to improve middle school admissions in District 2.”