To teach American music, this Colorado teacher takes students back in time

PHOTO: Erin Einhorn

How do teachers captivate their students? Here, in a feature we call How I Teach, we ask great educators how they approach their jobs. You can see other pieces in this series here.

Dave Lunn, the band and orchestra director at Liberty Common High School in Fort Collins, was working at a coffee shop when he got the offer to start a band program at the new charter school.

Although he taught private music lessons at the time, he’d never planned to go into teaching. That was his parents’ field, not his.

But once he got started at Liberty Common, where he teaches music theory and music history, too, he knew it was the career for him.

Lunn, who was one of seven finalists for the 2018 Colorado Teacher of the Year award, talked to Chalkbeat about why his unit on American Roots music is so important, how a Japanese concept influences his teaching and why he loves parent-teacher conferences.

This interview has been condensed and lightly edited.

Why did you become a teacher?
Both of my parents were teachers, so to forge my own identity, I tried to follow a different path. On the side, I had developed a considerable private music studio, teaching saxophone and other instruments, so I became known in the music education community as a private instructor.

While working as a barista, one of my customers who knew that I taught music lessons was involved in starting a new charter school called Liberty Common School. She approached me about starting a band program as an extracurricular activity for the students. What began as a group of 25 students grew into a music program with five bands and a string orchestra at a school that I have now been working at for 20 years. I guess you could say that teaching found me, because as soon as I began, I knew that it was what I was meant to do. I mainly knew this, because I wouldn’t get that pit in my stomach on Sunday evenings that was such a familiar feeling in other jobs. I loved (and still do) the fact that that being a teacher offered endless opportunities to be creative and more effective.

What does your classroom look like?
My classroom communicates two things: 1. My love for all kinds of music (which I hope to be contagious) is broadcast everywhere. There are posters up and musical instruments of all kinds everywhere (I am very clear about which ones are available for students to play and when). 2. That students are welcome. One of my colleagues has dubbed my room “The Oasis,” because stressed-out students often come in during down time to play the piano, or one of the guitars hanging on the wall, or even to study in a low-stress atmosphere.

Fill in the blank. I couldn’t teach without my _________. Why?
My sense of humor. Ever since I was a kid, I loved being (or trying to be) funny. For better or worse, it defined my high school career, as I was voted “Class Clown” of my senior class. In teaching, it has been a great tool for engaging students in the lesson and even more importantly, building relationships. It also keeps me from getting bored!

What is one of your favorite lessons to teach? How did you come up with the idea?
My favorite unit is called “American Roots Music.” I teach this unit in a high school class called Introduction to Music History and Theory. In it, I guide students through an American musical “tree,” in which I demonstrate that most of American popular music can be traced back to the folk songs of slaves in the United States. We then discuss how this beautiful music was anonymously created out of the most miserable and unjust circumstances imaginable. We discuss how, after the abolition of slavery, this music would evolve into gospel and blues music, each branching out into yet more musical genres. We explore the many styles of blues that emerged, such as Delta blues, Chicago blues and Kansas City blues, and the tremendous influence those styles would birth. We journey to New Orleans, and learn about how the unique mixing of African, French, Spanish, and Caribbean cultures would eventually create jazz music. We then trace the evolution of jazz through all of its many styles. Finally, we learn about how the meeting of African-American rhythm and blues with white American country music developed into rock and roll.

There are many reasons that this is my favorite unit to teach. Although I am a band and orchestra director, I love lecturing and putting together presentations, and I do so every chance I get. I’m a performer at heart. I believe that the best performances aren’t just spectacles, but involve and engage the audience. The audience should leave a great performance changed, with a new way of looking at things. American Roots music speaks to my soul like no other music. I want my students to understand what I understand about the sublimity of this music.

How do you respond when a student doesn’t understand your lesson?
The challenge of teaching is, for me, all about striving to help a student understand the concept or material that I am presenting. Like most teachers, I present material in as many ways as I possibly can: visual, auditory, and kinesthetic. I am always checking for understanding through the questions I ask. If I feel that a student still doesn’t understand (and really wants to), I will try to find one-on-one time to work with him or her.

How do you get your class’s attention if students are talking or off task?
In my more traditional, lecture-oriented classes, I begin by playing interesting music that we have learned about during the previous lesson. I slowly raise the volume until I see all eyes up front. As soon as I stop the music, I begin teaching immediately, by beginning with something engaging. What I am trying to do is keep the pace lively, and not to leave any room for other distractions to take the energy away.

I also move around the room quite a bit, so that every student in the class is effectively “sitting up front.” In my music ensembles classes, routines are worked out during the first few days of school to establish when it is acceptable to play your instrument or talk, and when the attention needs to be on me as the conductor. The use of a conductor’s podium and a baton are what makes this happen. My whole goal is to avoid shouting above the din of the classroom. It works most of the time.

How do you get to know your students and build relationships with them? What questions do you ask or what actions do you take?
I take a great interest in getting to know my students individually and, honestly, this is where I put the majority of my energy and receive the most fulfillment back. I use humor to build rapport, establish “buy in,” and disarm any negativity. Other than that, I just pay attention to how different students respond to situations, and I get to know their strengths and weaknesses through our experiences in the classroom. My hope is to be the kind of teacher and mentor that they need.

Tell us about a memorable time — good or bad — when contact with a student’s family changed your perspective or approach.
I know it may sound strange, but I enjoy parent-teacher conferences every year. This is when I get to know the families of new students, as well as continue to build relationships with parents that I have known for years. I always come away with new insights into students who I thought I already knew so much about. While the overwhelming majority of these interactions are positive, I value the more challenging encounters just as much. I learn something every year that helps be get better as an educator.

What are you reading for enjoyment?
I just finished a book about world poverty and possible solutions called “UnPoverty: Rich Lessons from the Working Poor” by Mark Lutz. I know this sounds odd for “reading for enjoyment,” but my daughter is spending a gap year working in Nicaragua, and I read it along with her to get a better insight into the nature of the work she is doing. It’s fascinating and soul-provoking.

I also am reading a book called “Gumption: Relighting the Torch of Freedom with America’s Gutsiest Troublemakers” by Nick Offerman from the television show “Parks and Recreation.” That is one of my favorite shows, and I got to meet Nick Offerman at a book-signing where I bought the book. It’s a collection of short essays about people he admires. It’s filled with his trademark dry humor and wisdom.

What’s the best advice you ever received?
My first principal and education mentor, Dr. Kathryn Knox, mentioned a word that she picked up while living in Japan. The word is “muda,” and it roughly means futility, uselessness, wastefulness. She said that her password at the time was “muda gone”. This inspired me at the time to identify those things that could interfere with my effectiveness as a teacher, and even more importantly, my passion for teaching. There are so many elements in an educator’s career that threaten to weigh us down with “muda,” and keep us from focusing in keeping the joy of learning alive in our students. I have always tried to give all “muda” only the minimal space in my mind that is required, so that my energy is fully available for teaching. It has worked well so far.

Belittled as a child, this Memphis teacher sets a high bar for her students

PHOTO: Ginny Terrell
Ginny Terrell poses with her Aspire Hanley third-graders. Terrell has been teaching for four years and will move to Aspire East in the fall.

Some 20 years ago, Ginny Terrell’s third grade math teacher called her “stupid.” Now, Terrell laughs as she names her current position: a third grade math teacher.

“I was that kid in school that everybody was like, ‘What’s wrong with her?’” said Terrell who has been teaching at the local charter Aspire Hanley for four years and will teach at Aspire East in the fall.

Terrell was held back in kindergarten and struggled from there on. Luckily, she had teachers that stayed with her after hours to give her the support that she didn’t have at home. At that moment, she knew she wanted to be like them.

PHOTO: Ginny Terrell
Ginny Terrell and her Aspire Hanley students.

As middle and high school loomed, Terrell told herself she had two options: sink or swim. So she worked hard — often twice as hard as her classmates, she said — and eventually enrolled in the University of North Texas in her home state.

During college, which took her seven years to complete, Terrell spent time in New Orleans doing service projects, where she often interacted with local youth. Then, she interned at a Title I school, where she noticed that her fellow teachers were unprepared to handle disciplinary issues, and that the “kids weren’t getting what they needed.” (Title I schools, eligible for certain federal funding grants, enroll a high percentage of students from low-income families.)

“I felt like it was the blind leading the blind,” she said.

That work, Terrell said, prepared her for a career in urban education. After graduation, she signed up for Memphis Teacher Residency, an alternative teacher licensing program that places college graduates at urban schools.

“They endure more than I could ever dream of,” she said of her students, 88 percent of whom qualify for free or reduced-priced lunch. “… I can relate a lot to their home lives, their struggling in school and their not wanting to even be there.”

In this installment of How I Teach, Chalkbeat spoke with Terrell about why her decision to teach in urban schools was such a personal one. (This Q&A has been lightly edited and condensed for clarity.)

How do you get to know your students?

I get to know my students by really utilizing my first month of school. I really try to use every moment and every conversation to truly understand each of my students. I give them a little survey that is like a Facebook page on paper the second day they are at school. I send home a survey [for parents to fill out] about his or her child and that helps me know even more. I spend time talking with them at lunch, recess, and moments during instruction. I try to observe how they respond to my questions, how they respond to hard situations, how they respond to their peers and how they handle learning. I use morning meeting time to know each of my students by playing getting-to-know-you games and simply letting them do a show and tell.

Tell us about a favorite lesson to teach. Where did the idea come from?

For a lesson on perimeter and area, our class took a little trip to the playground.They counted blocks and other items around the playground and added them up to get the perimeter. My students tried teaching each other and asked questions during the lesson on the playground. They told me at the end of the year that was their favorite lesson because they could understand it. This idea came from reading a book “Becoming the Math Teacher You Wished You’d Had: Ideas and Strategies from Vibrant Classrooms,” by Tracy Johnston Zager. In the book it discusses the importance of including real life examples students can relate to in math and gave multiple examples in other classrooms. I thought that we should use the playground, which will stick with them because they use it every day and they love it!

What object would you be helpless without during the school day?

An object I would be helpless without during the school day would be our clip system [moved up and down to track student behavior]! They could see where they were at behaviorally and how they can improve at every moment of the day. I could not live without a behavior system in my classroom. It is the basis of giving students structure and consistency. If you do not have a behavior system that is a well-oiled machine, you will not be able to get to your instruction and plan the engaging lessons. The culture you set, from day one, will drive your classroom.

What’s something happening in the community that affects what goes on inside your class?

Something that is happening in the community that affects my classroom is the crime rate. I have heard students coming in telling me they could not sleep because of the gunshots or abuse in their homes. Some of the crime happened on our [school] property between parents. This [hurts] student’s ability to focus, and [discourages] parents from coming to the school or even being involved. Students will start following what they see in their community, [so it] is hard for them to learn how to treat their peers or even teachers in a different way.

Tell us about a memorable time — good or bad — when contact with a student’s family changed your perspective or approach.

One of my students had a hard time functioning in my classroom. She could not really get along with peers and was sad a lot of the time. I reached out to the mom and discussed what was going on with her. Mom shared with me her life story and what has been going on at home. She wasn’t at all playing a victim or making excuses for her child. She instead asked me for help and support. We prayed for each other and I built a beautiful relationship with that family. It is so easy in the heat of the moment to snap or get angry with a student if he or she is not following directions. It showed me to seek to understand first, then take action. I could have done a lot more damage to the student in the classroom if I did not seek to understand. From that point on, I always make sure I take a step back and understand the situation instead of snap judgements. It taught how I can love each student in the way that will benefit them as future contributors to our society.

What part of your job is most difficult?

The most difficult part of my job would be not having enough parent involvement. There will be some parents that were very involved and supported the best they can in and outside the classroom. However, it has been difficult for some parents due to working three different jobs, not having enough resources or just not having the mental capacity to support. I cherish their thoughts and their support, so not having that [makes it] difficult to hold my students accountable outside the classroom.

What was your biggest misconception that you initially brought to teaching?

I thought I had to dumb down my lessons so other students can learn. It is actually the opposite; having high expectations, students can reach the bar you set. I think I viewed my students as “low” academically, but they are not. Maybe they’re behind, but never low. They are so smart and can do anything you ask. It might take some time and you have to go back, but they are able and more than ready.

What are you reading for enjoyment?

“Nothing to Prove” by Jennie Allen and “Hope Heals” by Katherine Wolf and Jay Wolf

What’s the best advice you’ve received about teaching?

If you think you have arrived in teaching, you need to retire.

Detroit math teacher tends a greenhouse, welcomes parents into her classroom

PHOTO: Koby Levin
Marquita Reese, a math teacher at Frederick Douglass Academy for Young Men, works with students to cook vegetables grown in the school's greenhouse.

How do teachers captivate their students? Welcome to How I Teach, a feature in which we ask great Detroit educators how they approach their jobs. Have a recommendation of someone we should profile? Write us at detroit.tips@chalkbeat.org.

Marquita Reese defies a traditional job title. At the Frederick Douglass Academy for Young Men, an all-boys high school on Detroit’s east side, where she has taught for more than two decades, she is a chef, a gardener, and a meditation leader. Oh, and she teaches math.

Reese headed up an effort to build a greenhouse at Douglass, funded with federal grant dollars. Vegetables grown on the campus are used in cafeterias across Detroit’s main district. When it started in 2016, the program was lauded by Sen. Debbie Stabenow for simultaneously feeding children and teaching about science and nutrition.

Reese spoke with Chalkbeat about the garden, being a woman in the hard sciences, and welcoming parents into her classroom.

Was there a moment when you decided to become a teacher?

I graduated from Wilberforce University [in Ohio] with a degree in clinical psychology, but being a psychologist didn’t work out. Wanting to maintain a strong math and science grasp, I enrolled in the school of education at Wayne State, majoring in mathematics and sciences.

I said I’ll do math and science, not really considering that those are two of the most challenging areas of study.

I didn’t realize in retrospect that I was one of the few or only females that had a math and science background in the district. I would go into some meetings and would be one of the only females.

How do you get to know your students?

Students are given a survey and are required to write a short paper about themselves.  They must speak to their expectations and provide some insight about their goals for the present and for five years from now.  This year I included a three-minute meditation in the morning every day. Doing that at the beginning kind of relaxes the setting, and starts to build that trust between you and your students.


You run a greenhouse and garden on the grounds of Douglass Academy, and you also teach lessons about cooking. Tell us about a favorite lesson to teach your students about the garden. Where did the idea come from?

An activity I do before my students set foot in the garden is called colors of the rainbow. You take the colors of the rainbow, but you extend it, so I do teal, tan, indigo. For each color, they have to provide a fruit or vegetable that can be grown in Michigan and they have research their nutritional benefits.

In what region of Michigan can it be grown? When can it be grown, and at what temperature? They present it to the class, and they also have to do a PowerPoint. Then we we go for seed selections or transplants, they understand that some plants can’t be put in the ground at certain times. One year, we actually discovered that we can grow oranges in Michigan.

What’s something happening in the community that affects what goes on inside your class?

One of the things I felt very passionately about this year was changing the narrative society is putting out, especially looking at melanated young men. I was worried about these young men, their self worth, their self esteem, so I just opened up to them, told them how I’m feeling, and they expressed their views.

It was an emotional time for us all. Being melanated people, we don’t have a good idea of where our ancestors are from, so some of our dialogue is about that. We talk about what we don’t know and what we do know about African cultures.

Tell us about a memorable time — good or bad — when contact with a student’s family changed your perspective or approach.

Myself and an English teacher put together a parent group and a student group with all the parents’ email addresses. We’d send a message each time something happened in the classroom, homework or anything else, to the parents and the students.

Then I started getting notes from parents. They said ‘Hey, can we do this too?’

They’d text me like, ‘Hey, I don’t get this.’ I was like, ‘Yeah, you can come in and take notes, try to figure it out.’

It became an open door.

It was the SAT year, so they knew the importance of the child understanding the material. They never said, ‘It’s because I want to learn.’ They wanted to make sure that when their child came to them, they understood how to help their child.

What was your biggest misconception that you initially brought to teaching?

I thought that the students and families that entrusted their kids to me had the same ideologies, learning style, and background as myself. For some, their exposure and educational experience or support was nothing like mine, so I had to refocus and adjust my teaching style and methods.

What’s the best advice you’ve received about teaching?

To be hard, consistent, and fair. As the students learn something new, so should I every day.