Ending DACA

School leaders in Memphis and Nashville pledge to stick by immigrant students as changes loom

PHOTO: Brad Vest/The Commercial Appeal
Supporters of DACA gather Monday outside of the federal building in downtown Memphis to rally for continuing the federal program that gives young immigrants work permits, allowing them to avoid deportation.

Leaders of Tennessee’s two largest school districts pledged their support Tuesday for students and families impacted by President Donald Trump’s decision to phase out federal protections of young people brought illegally to the U.S. as children.

Meanwhile, Education Commissioner Candice McQueen urged all of the state’s school superintendents to “educate all students regardless of immigration status.”

“We want all students to feel safe and welcome in Tennessee’s classrooms, and we want families to feel included in their school communities,” McQueen said in a statement.

In Memphis, Shelby County Schools Superintendent Dorsey Hopson weighed in on Twitter, just hours after U.S. Attorney General Jeff Sessions announced that the government will no longer accept new applications from undocumented immigrants to shield them from deportation under the Deferred Actions for Childhood Arrivals program, known as DACA.

Metropolitan Nashville Public Schools, which has Tennessee’s largest immigrant student population, quickly called on Congress to pass a DREAM Act or other legislation similar to DACA.

“… All school-aged students should have access to an excellent education, and thus access to enhanced opportunities, without regard to their immigration status or the immigration status of their parents,” the district said in a statement.

The decision to end DACA launches a year of uncertainty for many students and recent graduates across Tennessee, where about 8,000 young people are enrolled in the program.

Among them is Cesar Rodriguez, a DACA recipient in Nashville, who credits President Barack Obama’s 2012 executive order for changing his outlook on life.

“Growing up, I always knew I wanted to get a college education that would afford me better opportunities for my future and help me find work doing something that I loved, but because I was undocumented, I didn’t think I’d have a chance. DACA changed everything,” Rodriguez said in a statement shared by the Tennessee Immigrant and Refugee Rights Coalition.

Trump is urging Congress to replace the executive action with legislation before the program begins phasing out beginning next March 5.

PHOTO: Andrés Martinez/Conexión Américas
Tennessee students meet with U.S. Sen. Bob Corker in Chattanooga on Feb. 27 to urge support for federal protections to undocumented immigrant students under DACA.

Tennessee’s congressional delegation was mostly split along party lines on whether the phaseout is wise.

Rep. Steve Cohen of Memphis called the decision “heartless, illogical and un-American,” while Rep. Marsha Blackburn hailed it as a corrective measure to “uphold the rule of law our country was founded upon.”

“I look forward to working with my colleagues in the coming months to fix our broken immigration system and establish laws that encourage immigrants and their families to come here legally,” said Blackburn, a Republican from Franklin.

Either way, school boards for both Memphis and Nashville are on record in their support of immigrant students. Both have pledged to protect student privacy and restrict the release of confidential information about immigration status to agencies that enforce those laws.

Nashville’s board pledged its commitment to diversity in the wake of Trump’s election last fall amid a wave of anti-immigrant rhetoric.

Shelby County’s board approved a resolution just last week supporting students, regardless of their immigration status. The unanimous vote was in response to arrests this summer during a series of federal raids in Memphis targeting people who have entered the United States illegally.

On Twitter, immigration advocacy groups from across the state weighed in:

 

raising the curtain

Aurora high school students started rehearsing a musical about an earlier time — and discovered ‘harsh truths’ about today

Ebony Nash, left, sings during a rehearsal of Ragtime at Hinkley High School. (Photo by Yesenia Robles, Chalkbeat)

Nine weeks ago, more than 50 theater and choir students at Aurora’s Hinkley High School came together to begin work on a musical set in turn-of-the-20th-century New York.

At first, the kids did what high school students often do — cluster into familiar cliques, or self-segregate by race. Then the students started immersing themselves in the material.

The musical, “Ragtime,” intertwines the stories of a white family, a Jewish immigrant family and an African-American couple to spotlight differences and commonalities in the American experience.

At the urging of their teachers and directors, the Hinkley students began to use the plot and characters to examine their own actions, prejudice and biases. About 92 percent of Hinkley’s more than 2,100 students are students of color, the vast majority of them Latino.

The cliques and segregation slipped away. The production began taking shape.

“Ragtime” gets its Hinkley High School debut on Thursday and will be performed again on Friday and Saturday.

Chalkbeat sat down with a group of students involved in the production as they were in final preparations to learn about what their experience had taught them. The following is a portion of that conversation, slightly condensed and rearranged for clarity:

Janelle Douglas, a 17-year-old senior who portrays a friend of one of the story’s main characters, said the first time she saw and read through Ragtime, “it was intense.” She often cries as she rehearses her solo, sung during a funeral.

DOUGLAS: “I thought, this is powerful. This is overwhelming. This is amazing.”

Pamela Arzate, 17, plays the role of Evelyn Nesbit, a real model and actress who is incorporated into the fictional story and accused of being shallow.

ARZATE: “It’s very eye-opening because you look at it and it’s just a simple musical, but if you take a step back and go to the real world, it’s the exact same thing that’s going on today.”

Hodaly Sotelo, 17, plays the role of Mother, a woman whose attitudes toward her identity as a wife and woman evolve throughout the story.

SOTELO: “It reminds me of when I was younger and I was like, ‘Oh yeah, we’re over all that racism.’ But now, I look back and I think, what the heck? This stuff is still going on and we thought it was way over.”

Brianna Mauricio-Perez, 17, is one of two student directors.

MAURICIO-PEREZ: “It talks about all of the harsh truths that no one wants to talk about.”

DOUGLAS: “I think it’s safe to say it shows the true colors of our history.”

MAURICIO-PEREZ: “Even within our cast we did have to have a talk about how we were so separated because we were at the very beginning. Everyone was in their little groups and with their friends. You just want to keep to yourself.”

DOUGLAS: “It was literally ‘Ragtime.’”

MAURICIO-PEREZ: “We had a big talk with everybody. Things have gotten so much better. By the end of Act Two, we were all mixed up.”

Brenda Castellanos, 17, plays the role of Emma Goldman, drawn from a real-life political activist and anarchist.

CASTELLANOS: “Now that we’re closer, now that we’re all comfortable, we put in more effort.”

After nearly every rehearsal, teachers and directors give students a talk, urging them to immerse themselves in the feelings of their characters, relating to them if necessary through their parents, grandparents or ancestors who were immigrants, or through current events.

“What if you saw someone beaten, and bloodied and killed in front of you?” one director asked.

They also remind students of why the play should be impactful. “You have to figure out how for two-and-a-half hours you can give hope to that audience,” Marie Hayden, Hinkley’s choir director told students last week.

CASTELLANOS: “I think it it helps us. Every day, we get more into it and more into it until we actually believe it. You actually feel it — like how Janelle feels when she’s singing and she starts crying and makes everybody cry. We all feel connected.”

Students say they have different scenes that impact them the most, but they don’t hesitate to find how the scenes relate to their life despite the story being set in the first decade of the 1900s. Hayden’s class and the practice for the musical are safe places where they can discuss those parallels, they said.

Shavaun Mar, 16, is a junior who plays the main character of Coalhouse Walker Jr., a ragtime piano player who is the target of racial attacks and struggles with revenge and forgiveness.

MAR: “I feel like that is crucial that we give people those opportunities to talk because a lot of people have very valid things to say but they just don’t have a way to get it out.”

CASTELLANOS: “The shootings.”

ARZATE: “The racism. They help us discuss it because there’s so many things that are going on. Pretty much everyday there’s a tragedy going on. And so, in a way, we can use that sentiment, that emotion that we feel with the real world and convey it when we’re doing this show. We use those feelings and we try to think about it in that way. To display that emotion. To display it to everyone else. And not directly represent what’s going on today but just to give them that ‘aha’ moment, like ‘wow.’”

Ebony Nash, 17, plays the character of Sarah, an innocent girl who wants to help her boyfriend settle his problems.

NASH: “It just makes us want justice in real life because these things are still going on even though it’s not out there. It just makes us want justice for our community. This musical showed me that I need to become better within myself because I’m not perfect.”

SOTELO: “It opened my eyes a lot more for sure. This kind of just makes me realize the problems I have. It makes me realize yea, I’m having immigration issues with my father right now, but that also my friends, you know, they’re going through the same thing too. This DACA stuff or this coming out stuff. I became more accepting of what other people might be going through and how I can help.”

MAR: “The past few years, I have been in a bit of a shell. So putting myself in this situation and pushing myself to be this other person has really shown me what I’m capable of and it’s helping me break out of that shell and realize who I am as a person.”

NASH: “Basically, this is our getaway from real life because we get to come on stage and be somebody else. It also makes us want to put the story out right so people can understand. So people can feel what we want them to feel.”

CASTELLANOS: “That there’s hope after all this corruption that’s going on.”

DOUGLAS: “That even in your bad times you can still laugh, cry, dance.”

NASH: “What I want people to get from this is change. To learn how to change and learn how to forgive and learn how to come together as a community and just, like their worth.”

SOTELO: “And to be strong. To stand up for what’s right.”

ARZATE: “And it might sound weird, but I feel like they should feel a certain level of uncomfort because that means that they’re going to look at themselves while seeing the musical. Maybe they’ll go ‘I’m uncomfortable because I do that’ or ‘I have that prejudice’ or ‘I feel that certain way,’ so if they come out and they feel uncomfortable and then at the end they’re like, ‘Wow. There’s that hope for change.’ Hopefully that like…”

DOUGLAS: “… It inspires them to do better.”

ARZATE: “Like, you can do it.”

SOTELO: “It’s kind of like a water droplet. One small move can domino-effect to something bigger.”

 



disaster ready

Here’s how New York City schools are preparing to serve students impacted by Hurricane Maria

Just weeks after Hurricane Maria traced a deadly path across the Caribbean, The New American Academy Charter School in Flatbush, Brooklyn got a call.

It was a family member looking for a school for two young relatives after their home on Dominica was wrecked, along with most of the small island.

Before long, the students were enrolled in kindergarten and first grade. The school quickly gave the family a scholarship for after-school care and provided free uniforms — even including new shoes, socks and underwear.

“They lost everything,” said Lisa Parquette Silva, the school’s headmaster. “As soon as I heard these two students needed a place, it was not a question.”

New York City is preparing to potentially welcome an influx of students fleeing Puerto Rico and the Virgin Islands after the powerful hurricane struck in September, knocking out power grids and flattening homes. The leaders of the country’s largest school system insist they are ready for whomever comes.

“We are going to do whatever we can to support and accommodate them,” Mayor Bill de Blasio said at a recent press conference, “starting with our public schools.”

Hundreds of thousands could flee Puerto Rico. As home to some of the largest Caribbean communities on the mainland, New York City is a logical place for many of those people to land. They are likely to bring with them an untold number of children who need to enroll in schools — though officials say it’s hard to know how many until they actually arrive.

Already, the Orlando school system reported enrolling almost 300 students from Puerto Rico as of last week. In Miami-Dade, the number was around 200, according to The 74.

In New York City, schools have not yet seen a significant uptick in enrollment, officials said. The few students who have arrived have landed in Bronx and Brooklyn schools, they added.

Serving those students will likely require a host of extra resources. The Miami-Dade school system is expecting to spend $2,200 for every student the district takes in, according to the Wall Street Journal.

New York City schools chancellor Carmen Fariña said the city has sent representatives to Puerto Rico to understand how the situation there could impact schools. Meanwhile, the education department has begun to survey principals here to find out which schools have space to take in new students — and assured those schools that they would get extra funding. Guidance counselors are being trained to meet storm survivors’ unique needs.

“Money will be allotted to those schools to be able to service those children,” Fariña said at the press conference, “understanding in many cases there may be extra support needed for families and trauma.”

The state education department recently put out guidance for schools, saying children who have fled a disaster are likely protected by federal law for homeless students. Under the law, districts can waive documentation requirements for school enrollment — which the city is doing at its Family Welcome Centers — and students are eligible for free meals.

Nicholas Tishuk, executive director of Bedford Stuyvesant New Beginnings charter school in Brooklyn, said he is already fielding calls from people who are looking for schools as they consider whether to bring over family members from Puerto Rico.

The independent charter school recently packed a van with donated lanterns, batteries and water to be shipped to the island. School leaders have also put the word out that they are ready to enroll students impacted by the storm.

If the school runs out of space, Tishuk hopes it can still serve as a clearinghouse to put families in touch with other local options.

“A school can be a very powerful place to get extra resources,” he said, noting that New Beginnings has a bilingual staff that regularly collaborates with social-service agencies. “Even if it’s not our school, you should reach out to a school that can help you connect to those resources.”

Schools that take in displaced students will most likely have to offer bilingual classes and provide counselors who can support children who have been separated from their parents and are living in the city with relatives.

Eve Colavito, director of schools for DREAM charter school in East Harlem, said one of the most important things schools can provide is stability. The pre-K through ninth-grade school enrolled a middle school student from Puerto Rico this week.

“Our goal initially,” she said, “is to make school as normal and predictable as possible for them.”